top of page

16th - early 17TH CENTURY 

Its interesting that, English (a language spoken by approximately 20% of the world population) couldn't be called popular further afield from England in the 16th Century. The English - preferring to travel the Continent, were more likely to pick up other European languages than vice versa. Roughly spanning much of the literary Renaissance period. 

​

Burdened by wars and feuds in the 15th century (namely the War of the Roses) culture, literature and linguistic development took a back seat. But when the Earl of Richmond was crowned King Henry VII un 1485 having killed the Yorkist King Richard III, a greater emphasis wa on the monarchy and stability what with the Church backing the Crown and few strong opposers, they were relatively stable. The Royal Court held much of the nation's power despite still needing the go-ahead from the Parliament in vital matters. But the royal court became the epicentre from which all other outer zones adopted fashionable culture of the time, with music, theatre, masque, fashions, painting and literature trickling outwards from the source. 

​

Court culture fostered great poets due to the paranoid, duplicitous atmosphere around volatile kings. Instead their language became coupled with double and triple entendres. 2 Books were almost the manuals for surviving court intricacies:

Il Principe (Machiavelli) - about techniques for gaining and keeping power

Il Cortegiano (Castiglione) - conceal the effort behind trying to accumulate power

​

International trade flourished. Around about 1475 the art of printing was introduced by William Caxton - Despite nullifying the communal aspect of reading it made reading more accessible (though still expensive). However, unusually there was a 'stigma of print' making works less special and facilitating the fraudulence rampant within literature without the restraints of copyright. 

​

1485 inaugurated the Tudor Era - bred a fondness for the past despite modern technology nullifying their relevance. Medieval was more fashionable in Court than modern e.g. old chivalric code, jousts and tournaments. 

​

1509 - death of Henry VII - accession of Henry VIII

​

1603 - Death of Elizabeth I inauguration of Stuart Dynasty

renaissance humanism

- Fostered a love for the classics and education

- Humanism espoused and lobbied for greater education and curriculum reform. Greater knowledge aside from religion. 

Latin remained entrenched in studies 

They studied the classics - to glean greater literary style and for the more, political and philosophical truth s they contained. 

reformation

- Centred around the anarchic thinking of Augustinian monk Martin Luther which sent shockwaves into the settled Christian mindset of the centuries. He claimed that the Pope and his followers were servants of Satan. 

- His movement engendered phrases such as sola scriptura and sola fide which encouraged people to trust only in the scriptures and your own faith not the church and its advocates. 

- King Henry VIII's desire for a divorce from Catherine created a rift between the monarchy and the Church of Rome due to his the clashing ideals of Henry for an heir and the Pope refusing a divorce.

- 1532-34 King Henry VIII declared himself Head of the Church

- 1547 King Henry VIII dies with his son Edward (a strong but sickly Protestant)

- 1553 Edward dies succeeded by his half-sister 'Bloody' Mary (strong catholic who burned at the stake almost 300 Protestants she had deemed heretics

- 1558 Mary dies succeeded by younger sister Elizabeth I (extreme Protestant)

​

​

​

​

​

​

prominent poets of the century:

writing style

Renaissance literature was riddled with rhetoric, oratorical and persuasive techniques, verbal ostentation and display and a linguistic playfulness was encouraged.  Juxtaposingly a starkness of style was also appreciated especially in contrast more governed by emotion and intuition than poetic convention and verbose poetic language. 

​

Common motifs: Pastoral (Propertius/'The Passionate Shepherd to his love'), heroic/epic, lyrical, satirical, elegiac, tragic and comic

​

​

​

​

​

​

​

​

theatre/drama

Creation of the morality play (characters like Vice which Feste is based upon in Twelfth Night). Mixture of high and low art and their corresponding characterisations went against the stringent conformity to convention of ages past especially plays that violated Aristotle's laws of time and space which governed what was defined as a 'successful' or 'cohesive' play. With the rise of playhouses came a rise in protestors (namely Puritans like Malvolio) who saw the potential for homosexual anathema made possible through the cross-dressing in stage transvestism.

​

  1. William Browne (1590 - 1645)

  2. John Bodenham (1600 - present)

  3. Thomas Carew (1595 - 1645)

  4. John Donne (1572 - 1631)

  5. Michael Drayton (1563 - 1631)

  6. William Drummond (1585 - 1649)

  7. John Fletcher (1579 - 1652)

  8. Robert Herrick (1591 - 1674)

  9. Ben Jonson (1572 - 1637)

  10. Christopher Marlowe (1564 - 1593)

  11. Sir Walter Raleigh (1554 - 1618)

  12. William Shakespeare (1564 - 1616)

  13. Edmund Spenser (1552 - 1599)

  14. Sir Philip Sidney (1554 - 1586)

  15. John Milton (1608-1674) 

  16. Sir Thomas Wyatt (1503 - 1542)

prominent authors of the century:

  1. Miguel de Cervantes (Don Quixote),

  2. Shakespeare (Twelfth Night)

  3. Dante (Divine Comedy)

  4. Gionanni Pico della Mirandola (Oration on the Dignity of Man),

  5. Erasmus (In Praise of Folly),

  6. Sir Thomas More (Utopia),

  7. Boccaccio (On Famous Women)

  8. Machiavelli (The Prince),

  9. Castiglione (The Book of the Courtier),

  10. Montaigne (Essais),

  11. Luís de Camões (The Lusiads).

  12. Elizabeth Cary (The Tragedy of Mariam)

​

  • 1605 - The Gun Powder Plot (Guy Fawkes amongst others trying to remove Protestant leaders

  • 1607 - Colonisation of Northern Ireland

  • Galileo proves that the Earth is not the centre of the Universe

  • 1625 - Death of James I, Succeeded by Charles

  • Charles I - 1625-49 (Following his father's ardent belief in the Divine Right of Kings, he felt he held no accountability except to God and therefore didn't discuss important matters with Parliament

  • 1649 - Charles I beheaded for treason

  • 1653 - 1660 Oliver Cromwell (Military dictator after bloodless coup 1653, ruthless and Puritan, known as Lord Protector)

  • 1659 - Cromwell dies

​

context of 17th century:

bottom of page